Music Composition for Film and Television (9781476899480) by Schifrin Lalo

Author:Schifrin, Lalo
Language: eng
Format: epub
ISBN: 9781476899480
Publisher: Hal Leonard Corp
Published: 2013-08-11T16:00:00+00:00

Free Time and Clicks in One Cue

A music scene might start with free time, but then somewhere within the cue, a click track is needed. For example, the music starts under dialogue—maybe a love scene or other type of scene that requires flexible, expressive, rubato techniques. Then, in the same cue, it is necessary to change gears. A frantic chase or confrontation follows, and more precise synchronization becomes necessary. The bar before the change to the click track should not be too busy, and a trill or any other device with a fermata would allow counting four warning clicks at the new tempo.

Through a computer of the music editor’s information, the composer may find out the timings of the sync points. If a sync point is between clicks, say 10-4 click, between the sync point at 0:48.13 (click 111) and sync point 0:48.57 (click 112), syncopation between beats is necessary in order to catch 0:48.32.

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